Ali & Nino movie review & film summary (2016)
Yet even there, culture, religion and the historical backdrop are important. Ali Khan Shirvanshir (Adam Bakri) is a young Muslim who hails from a traditional family but has become acquainted with Western ways through attending a Russian high school in Baku. When he meets Nino (María Valverde), a Christian princess from Tbilisi in Georgia, there’s an instant romantic spark. But the cross-cultural difficulties are compounded by the arrival of World War I. Though Ali’s father approves the marriage his son desires, Nino’s dad wants it to await the end of the war, which he assumes will be brief.
Into this garden of complications, a serpent creeps. Malik (Riccardo Scamarcio), an Armenian Christian, offers to make the couple’s case to Nino’s parents, but, secretly desiring the girl himself, he abducts her and makes for Russia. Ali gives chase and kills his false friend. Since the death will ignite a blood feud, Ali is obliged to flee to the mountains of Dagestan. When Nino finds him there, the couple weds and then enjoys an idyllic retreat from the world.
Their blissful isolation ends when events compel them to return to Baku. With the city threatened by the incursion of deserting Imperial troops, Ali elects to fight in defense of his homeland while Nino works as a nurse. The chaos and danger mount, though, so that, after announcing her pregnancy, Nino is spirited away to Persia, where she leads a cloistered, unhappy life watched over by a eunuch, and gives birth to a daughter.
Ali retrieves his new family and returns them to Baku after the world war ends and Azerbaijan gains its independence for the first time in centuries. It’s a moment of nationalist pride and jubilation, with Azeris assuring each other that the Treaty of Versailles will guarantee their autonomy. They have only failed to foresee the effects of the Russian Revolution. Within months, Bolshevik armies are moving to invade the fledgling republic, an incursion that will seal the fates of Ali and Nino.
In Kapadia’s film, the passionate love story at the heart of Said’s novel anchors a drama that also surveys a fascinating slice of history, one with ongoing geopolitical relevance (at the time of the story, the Baku area was producing half of the world’s oil, which made it coveted by several empires and corporations). In various ways, the tale may remind viewers of Doctor Zhivago, another celebrated romantic novel set during the same period. Yet the movie it inspired was a much grander affair than “Ali and Nino,” truly epic in its sweep and as plush in its mounting as any studio movie of its era.
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